About Infusion Baroque“The women played with polish, energy, and finely honed style. They crafted beautifully shaped phrases, presented with an ongoing exchange of musical ideas and dynamic contrasts that came across like animated conversations.”
-Journal Sentinel (Milwaukee), 2017 “Infusion Baroque shaped the music from the very first note. They were dynamic and alive. They had no fear.” - Early Music America Magazine, 2014 “Poised and elegant.” -Laymusic.org, 2014 |
About Kreüsser: 6 Quintettos, Op. 10 |
About 1747: C.P.E.Bach |
"[C]harming, in the word’s proper sense: It is immediately appealing, even beguiling ... Infusion Baroque’s earlier elegance and refinement reappear here in spades, but they do so alongside a lovely sense of wit, pathos, and verve ... [N]ot only have they resurrected a wonderful composer and six fantastic quintets, but they also have done so with utmost musical panache."
-Early Music America, 2019 "[A] spirited and successful attempt to restore Kreüsser to the ranks of 18th-century composers of note." -The Whole Note, 2019 "[E]ngagingly, sometimes even delightfully, colorful and inventive, as well as rhythmically infectious... [The musicians] play with a liveliness and unforced energy that seems to grow naturally out of the music rather than being imposed on it, combining spontaneity and abandon with technical perfection." -Fanfare, 2019 |
“Bach’s son [is] tackled with enthusiasm…. Their approach is fierce: the articulation of the bow, their energy, their musical personality ... This is real baroque ... gripping and full of character.”
-Médium large (Radio-Canada), 2017 "[A] new CD of works by C.P.E. Bach that comes about as close to pure happiness as any other recording you’re going to listen to anytime soon." -ClassicalArchives, 2017 |